Amplifier Features , Amplifiers , , , Dual Super Lead , handwired , jcm , jcm , jcm , jmp , marshall , metal panel , shopper’s guide , silver jubilee David Szabados We love our Marshall amps! Ultimately though — use your own ears and compare. This arrangement continues today. The mark to the aluminum metal panel Marshalls also marks a significant reduction in comparative value between them and the earlier plexi-paneled Marshalls, though basically by late into early , the circuit was essentially the same. Again, the additional gain from these amplifiers make them desirable for hard rock applications, but the distortion of course still came from both the preamp and power amp stages, creating a rich tone full of warm tube harmonics and of course a wonderful dynamic sense. Plate voltages were reduced during this early metal panel era, resulting in a circuit that was somewhat easier on the power tubes. These amplifiers are also noted for being slightly brighter in tone then plexi amplifiers, making them sonically more aggressive. This is the opposite case with the first plexi Marshalls which are really tuned to favor PAF-style humbucking pickups that are more tonally balanced. In , the Marshalls made for export to the U. General consensus is that the EL equipped Marshalls were and are thought of more highly, with the added headroom of the not being as desired in the non-master volume Marshalls of the day.
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I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.
Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. The boss came around and said what we’d be building.
To do this they entered into contracts with established sewing machine manufacturers who would supply standard models but with the name of choice substituted for the normal brand name. For the past 20 years I have been compiling a list of who actually made what and there are now over names in the file. The situation is further confused in that retailers might switch makers at the end of a contract period and the same name would then appear on a completely different machine by another manufacturer.
Hawaii member Charles Law has attacked the problem from a different direction, specifically targeting the giant Sears Roebuck company and its branded products. GF Company history s s:
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The box of prescription drugs had been forgotten in a back closet of a retail pharmacy for so long that some of the pills predated the moon landing. Most were 30 to 40 years past their expiration dates — possibly toxic, probably worthless. But to Lee Cantrell, who helps run the California Poison Control System, the cache was an opportunity to answer an enduring question about the actual shelf life of drugs: Could these drugs from the bell-bottom era still be potent?
Cantrell called Roy Gerona, a University of California, San Francisco, researcher who specializes in analyzing chemicals. Gerona had grown up in the Philippines and had seen people recover from sickness by taking expired drugs with no apparent ill effects. Pharmacies across the country — in major medical centers and in neighborhood strip malls — routinely toss out tons of scarce and potentially valuable prescription drugs when they hit their expiration dates.
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Instead of using two voltage doubler bridge rectifiers, Marshall used one voltage doubler bridge rectifier like the later amps have. So instead of feeding two rectifiers with 95VAC each, Marshall now feed one rectifier with ca. This was initially done by bridging two secondaries of the power transformer however, later transformers have only one V secondary with centre tap.
A factory schematic indicates that Marshall also lowered the plate voltage to VDC, something that increases tube life, reduces power while giving more compression and distortion Doyle, History of Marshall, p. Power transformers went from the Drake to the Dagnall T laydown power transformer.
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Dating VOX products can be very difficult. VOX did not observe or utilize standard dating procedures nor does the serial numbers,. Hey guys, sorry to post off topic, but i think this thread will sink in a heartbeat on the amp forum. Anyways, Im trying to get a vox amp and found a. Extremely difficult dating Vox amps.. But these links might help..
At Chicago Music Exchange, we have the most knowledgeable gear experts in the industry. The best source is in Jim Elyeas book which is a must have for any vintage Vox owner. As for dating some pics would help as they went through. Nice amp , but as I’ve said its not a 63 its a
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Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are.
The DSL15C is a compact, all-valve 15 Watt combo that delivers on tone. Powered by two 6V6 power valves and three ECC83s in the preamp, the DSL15C might be small, but its guts are as serious as its big brother, the DSLH.
Guitar Amplifier Kits The Beginning Jim Marshall came to music by way of dance, which his father suggested to help strengthen his legs after he was diagnosed with tuberculosis. After 20 years playing gigs as a drummer on the road, Jim settled in a small section of London called Hanwell and opened his first business, a music store called Marshall and Son. In at the behest of local guitarists and would-be legends Pete Townshend and Ritchie Blackmore who were on a quest for more volume, Jim put together a group of people and built the first of many JTM45 amps.
By , the watt Super amplifier was developed and after some tinkering, the accompanying cabinets or now famous “Marshall Stack” were born. This small amp is excellent for home or practice at music schools and studios. The Marshall 25 watt digital combo amp is a big step up in features for not such a big step up in price. The modeling technology in the amp allows for fourteen different amp sounds, eight speaker emulations, and twenty-five digital sound effects.
It’s quite a bang for the buck and for intermediate level players. With Marshall’s 50 watt digital combo amp you get everything included in the 25 plus 25 extra watts of power. The MG50GFX 50 watt combo amp also has 50 watts suitable for musicians playing larger club gigs and four channels for various tones, reverb, delay, and digital effects, presets for recalling sounds, and a switchable effects loop.
This amp is suitable for use by guitarists playing large concert halls and recording professionally. In their words “This all-tube combo amp packs a lot of punch without using a lot of power There are many great companies that make amplifiers including Fender, Mesa Boogie, Ampeg, Vox, and many others.
Guitar, bass; tube, solid state. These amps are called solid-state because they use transistors for their preamp and power sections They are very reliable and seldom need repairs. These amps are popular with players looking for a sturdy, reliable touring amp.
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Still, the song that brings out the enthusiastic grin on most of us is of course Dogs. For me it was what got me into this crazy hobby — trying to figure out how the hell David got his magical tone. Dogs dates back to the middle of the Dark Side of the Moon tour. Pink Floyd had been performing Dark Side in its entirety since early — a whole year before the album was released and as they kept on adding new dates to the tour they badly needed new material.
David wrote most of the music later stated that he was particularly proud of the chord progression. The earliest version even had a long choir part in the middle section, similar to what David and Richard used to do on the 4-piece live version of Atom. Throughout the tour Roger would rewrite the lyrics several times as David found it too hard to sing — there were just too many words Musician, August
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Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.
This amp sounds fantastic and I have owned, or own just about every marshall pretty much dating back to Here is the dig, many people complain about there being too much preamp gain yes it does and stock it does not sounds great on the ultra gain channel.
Electric tuning mechanism adjustment diagram Electric tuning principles of operation and adjustments Electric tuning wiring diagram and further adjustments Replacement parts list Some judicious searching revealed an ad in the August, issue of Popular Mechanics that featured not only the K remote but also W. Fields and Charlie McCarthy. My grandparents bought one of these new, and as a kid, I inherited it.
I had a phonograph hooked up to it and would play records, mostly 78s, through it. I had the armchair control box, which I hooked up and played with. The box used the same push button switches as the tuning buttons on the front, and used similar labels, though they were not back lit. There is a switch on the front of the radio to select remote control operation. Our radio was set up for Chicago stations, and the tuning worked pretty well.
The armchair control box was brown bakelite, and was wired to the radio with a big flat cloth covered multi-conductor cable. I used to get the occasional shock from the cable, as the cloth over rubber insulation was breaking down, and I stood on a concrete basement floor. Aside from records, I was introduced to rock and roll radio on this radio, and listened to short wave broadcasts. The short wave bands produced a lot of interesting sound effects back then, as there were people transmitting images with a type of fax system that sounded like a propeller airplane if you tuned it in see below.
We used a long-wire antenna for short wave I used the switch assembly as a keyboard for a crude electronic music synthesizer I built.
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You may compare these with your own speakers to determine what you have. Speakers are like ice cream; we all have our favorite taste. Some like strawberry while others like chocolate. What someone finds harsh can be beautiful sparkle to others. Speakers can have different frequency response depending on materials and construction design, like cone shape, magnet weight and coil size. New speakers will therefore sound different from vintage speakers.
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A common misconception about guitar amps is that they are used solely to amplify sound. Most amplifiers are also able to modify the tone of an instrument by emphasizing or de-emphasizing certain frequencies, and by adding effects to create different sounds. Amps were first used in the s as a way to amplify the sound of acoustic guitars. However, their use became more popular in the s when Hawaiian music surged in popularity.
Initially, tone control on guitar amps was simple and could provide a lot of treble boost. However, their low power, and limited control gave poor high treble and bass output. In the s, musicians began to experiment with distortion by overdriving guitar amps. Later on, most guitar amps came with preamplifier distortion controls, fuzz boxes, and other units designed to produce distorted sounds. Today, the overdrive and distortion produced by guitar amps are important elements to many styles of electric guitar music.
Vintage amps come in two standard forms: A wide range of vintage amps exist, some intended for general purposes, where others are designed for particular instruments or sounds.